The British Broadcasting Corporation has revived Agatha Christie with artificial intelligence, and it appears to be Golish as you expect

Agatha Christie is one of the most abundant authors of the crime who did so ever. It is practically the face of the killing novel-with her work several times through radio, stage, television and films for decades (Even if you are not a fan of most of them). There is something that can be said about how many of its stories, which many of them are attached to the darkness that lurks in our inner shadows, is on a tendon with readers. Words talk about themselves, but there is a new development from the BBC indicates that the words of Christie will speak with the computer program.

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Today, BBC Studios has announced that it has collaborated with Agatha Christie Estate to launch a writing course on BBC Maestro. It seems a great idea until revealing that it will use a similarity of the artificial intelligence of the famous author to transfer these lessons (across Hollywood Observer):

“Using accurately restored archive interviews, messages and special writings that a team of Christie experts is searching for, this leading session is rebuilding Christie’s voice and visions, and your orientation to the art of suspense, conspiracy transformations and unforgettable characters.”

This is a lot of words to say mainly that Christie is another artificial resurrection of the grave. Actress Vivian Kane, Who played a major role in the theatrical production of “The MouSetrap”, The Mousetrap, It will embody a framework for the famous author with artificial intelligence technology with its material and audio features. It makes you wonder what the goal of sifting hundreds of actors to find the closest originality of Christie’s similarity was everything when they would cover Kene in digital makeup anyway.

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If you don’t have occurred now, the use of artificial intelligence throughout the media scene is a problem that will not go anytime soon. See how “Cobra Kai” is a deceased Maurita for a ghul’s veil using unorganized technology. Part of what makes this whole endeavor worrying is that it doubts again the independence of the dead. Nicki Sheard, CEO of brands and licenses at BBC Studios, is determined that the whole process was a “moral and thoughtful” method to honor Christie’s legacy when it is only anything.

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Some people will rush to point out that he was fine by Christie Estate, but this does not make him completely moral. It is one thing to take advantage of the completed work while they were still alive rather than re -creation of an artificial program that depends on the things they wrote and how they were maybe They told them. A dead person simply cannot talk about himself and put words in his mouth they did not do so In reality Speak out loud disgusting. This is not different when director Morgan Neville brought about Anthony Burdan’s records about the things he wrote, but he did not talk out loud about his documentary “Roadrunner”.

In addition to everything, it shows incredible laziness on behalf of the team behind this project to evoke a deformed form of digital necrosis of a beloved author instead of using Kene as it is. Everything seems extra in favor of giving the impression that viewers are watching Cristi Aseel giving these lessons, going to all these lengths to make the entire experience more distracting. The dead cannot agree, but their families can manufacture them. Even the unique image of the “Agatha Christie Writing” program that was released to the public is annoying because there is no spirit behind those eyes.

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