5 Liam Neeson movies that every fan cannot watch

The “Schindler’s”, “Star Wars: Episode I – The Phantom Menace”, “Taken” and “Batman” are really just a tip of the iceberg in the exciting and long Liam Neson profession. Easily one of his best generation, the ingenuity of the actor born in Northern Ireland and with no less amazing. A little things show that it is better than the fact that in 73, Nesson is now Championship in 2025 entitled “The Naked Gun” As the Fatnat Frank Darbin Junior, son Leslie Nielsen Etime. Since his career began in the late seventies of the last century, Nisson filmed the controversial and unforgettable historical figures, superheroes, mentors, anxious fathers, and even skilled killings between a wide range of other characters in more than 100 features.

Although it is unlikely, Nisson has become a worker at the age of 56 with “Taken” for 2008 (with the permission of director Pierre Morel and co-author Luke Bison), and the cheap excitement is still low to one domain of the dead-everything is still coming today without end on the horizon. Regardless of somewhat bad quality for many of these films, there is one certain thing: Nisson enjoyed. Frankly, he can bear it after all the classics that he granted to us over the decades. As such, we are here for HandPick five of his films that have not received enough attention or being ignored and taken off in a long -term profession full of stone bell.

Despite his multi -faceted roles in various types, Nisson has mostly western, which makes David von Anskin “Seraphim Falls” more than a jewel. It is the only horses opera in the actor’s movie (Do not count a sarcastic simulation for Western Seth MacFarlane, “A million ways to die in the West”), and it is a movie that certainly did not get enough praise over the years (most likely in a large part of it Because the box office fluctuation was).

More than a personal study of the traditional Oater, “Seraphim Falls” is the chase of the cat and mouse between two broken men connected to their past in the American civil war. The naked plot is the pursuit of two hours between Colonel Carvar (Nisson) and Jeron (Pierce Prosnan), where the former tries to the fiercely searching for the latter and seizing it with a small group of rented hands, and traveling through rugged terrain (from mountains to valleys to the desert) for the accuracy of his criticism on a terrible responsibility, we only learn completely about the end. Consider, there are no major transformations here; In fact, the simplicity of the narration is what allows Neeson and Brosnan to completely take over and the mood of the film with attractive and tragic sadness, which raised it to a higher level. This procedure is raw and brutal (almost everything and everyone is shot here at some point) with a little mercy that must be distributed, but there is also a heart lamentation on the loss that turns skillfully the “Cyravim fall” into a deeper and thinking piece of action that appears at first. This is particularly the case when it comes to an extraordinary end, which I will not spoil here.

The partial partial psychological drama of the Oliver Hershabiegel is one of those moods that make up a difficult watch. It is sad, sad, and slow, requires close and unpleasant attention, but if you find the right time to see it, the rewards may be abundant. In fact, I have not seen this film for more than 16 years, but as an adult young man in 2009, he left his heavy story and its performances brilliantly impression of me that I have not forgotten since then.

“Five minutes from the sky” is rebuilding the killing of Jim Griffin (19) by the UVF (UVF) Alexer Little (Mark Ryder/Liam Neeson) during the problems in Northern Ireland. Although the first half of the film shows us this schedule, the most interesting part comes 33 years after Little, outside the prison, interviewed Joe Griffin (Kevin O’Neill/James Nesbit), the younger brother of Jim, who witnessed the killing of his brother all of those past years. The meeting is supposed to be implemented by the media in the hope of reconciliation, but things do not go according to the plan – because the main goal of the atmosphere is to kill a little to take revenge on the death of his brother. Whether it can go through it is another question.

Nisson is great here as an old friend, a variable man who actually remembers what he was to be a UVF member, where he spread hatred, violence and killing Catholics as if it were the mission of his life. It is clear that this role was of vital importance to Niceon, and from its Irish roots to present a realistic and destructive image.

When Joe Karenhan came out in 2012, I remember that many people are disappointed because it was not another shooting exchange in the context of “Taken”. When seeing her audience’s classifications today, I’m not sure if this perception has changed, but it is certain that it should. Although trailers are terrifyingly misleading, “Ramadi “is an ideal survival movie With philosophical and emotional support that acts as a meaningful essence, rather than being dust from the elements. Macho’s sadness from Neson is used for a great influence here, and the film rides on its convincing and tragic central performance as a depressed man and leads to fighting for survival.

The conspiracy is followed by John Ottway (Neson), the Sharpshooter device that protects the entire male employees of the oil company in a distant facility in the Alaska wild. As a modern widow, he feels anxious and even committed suicide, but he ultimately decides. The next day, while he and his colleagues workers were taking a plane to return to Ancorag, the engine disrupted and leads to their failure in the middle of any place. Ottawi and six other men remain, we follow them and try to evade a group of wolves and return them to civilization.

“The Gray” is not like other Neeson currencies, which is good because the role of OTTWAY requires more than just a routine -like performance. Here, he is the hero of the weak and associated novel and does not necessarily win today, but it is well with that as well. If you miss this movie or offend it at that time, do not hesitate to give it another chance.

Among the many dimensions that were “taken” (trust me, there is something more than one can deal with), which is Jaume Collet-Serra for the year 2014 “Unexpected” among the best (there are very few). On the one hand, it is almost unreasonable and vulgar like the rest, but magnetic charisma in Nisson, alongside the capable crew (Julian Moore, Xia Wegham, Lubita Nyongo, Corrie Stol, etc.) and a solid direction, makes this a kind of pearl in mud. It is not anywhere close to engaging and contentment like Brian Mills eliminating the Albanian mafia throughout Europe to save his daughter, but we shake the dust of entertaining from the time before playing such a hero is a boring routine for Nison.

In the movie “Non -stop”, Bill Marx, one of the American air Marshal and a former NYPD officer on a trial from New York to London when he receives a fateful message on his phone, claiming that the passenger will die every 20 minutes unless 150 million dollars are transferred to a specific bank account. It does not take a long time until chaos fades, including the accusation that the signs in one way or another are behind everything they spend, and Nisson soon turns into a bond to find the responsible criminal mind and provide the largest possible number of strikes and shots that he needs until the situation is resolved. Of course, you cannot make a plane movie without a collision descending somewhere below the line.

The Spanish director “A Monster Calls” can be named from “A Monster” (less than forgetting), but I believe that the pivotal/audio/audio performance is acting as a wise YEW Tree tree monster. The 2016 movie is one of the best fictional dramas – which depends on a brave book on an equal footing written by Patrick Nice – about sadness and the pain of losing one of the parents to the peripheral disease. The conspiracy is affiliated with Konor Omali (Luis McDougal), a 12 -year -old English boy whose mother dies quickly from cancer. His method of adapting through drawing. From there, a fake world is born in his mind, as the weather tree comes alive to help him with his emotional suffering and accept the loss that he will have to confront soon.

“A Monster Calls” is a movie that uses amazing images in the service of transmitting complex feelings to break your heart and then heal it gently and love. Each of the stories and implementation of the stories are smart and influential, daring depth as they need, and exposing the most difficult facts that the child can confront. Macdougall is simply great (revelation, truly) like Connor, plays his heart and soul in every scene that requires the purest feelings. The deep Parton voted in Nisson with the perfect focus on the field completes it on every step on the road. At the end of the sad but moving movie, it is his voice that calms and relieves tears that walk on your cheek like a warm blanket.